গীতাঞ্জলি - রবীন্দ্রনাথ ঠাকুর

Gitanjali poems written by Rabindranath Tagore. This is a collection of 157 lyrical poetry ..

গীতাঞ্জলি রবীন্দ্রনাথ ঠাকুর রচিত একটি কাব্যগ্রন্থ। এটি ১৫৭টি গীতিকবিতার সংকলন। এগুলো মূলতঃ ভক্তিমূলক রচনা এবং কবি-আরোপিত সুরে অধিকাংশ গীত হয়ে থাকে।

১৯০৮- ০৯ সালে রচিত এই কবিতাগুলি ১৯১০ সালে গীতাঞ্জলি গ্রন্থাকারে প্রকাশিত হয়।

১৯১৩ খ্রিস্টাব্দে এই গ্রন্থের জন্য তিনি সাহিত্যে নোবেল পুরস্কার অর্জন করেন। ইংরেজ লেখক এবং রয়্যাল সোসাইটির সদস্য স্টার্জ মুর নোবেল পুরস্কারের জন্য রবীন্দ্রনাথকে মনোনয়ন দিয়েছিলেন।

Gitanjali Bengali: গীতাঞ্জলি is a collection of poems by the Bengali poet Rabindranath Tagore. The original Bengali collection of 157 poems was published on August 14, 1910. The English Gitanjali or Song Offerings is a collection of 103 English poems of Tagore's own English translations of his Bengali poems first published in November 1912 by the India Society of London. It contained translations of 53 poems from the original Bengali Gitanjali, as well as 50 other poems which were from his drama Achalayatan and eight other books of poetry — mainly Gitimalya, Naivedya and Kheya .

The translations were often radical, leaving out or altering large chunks of the poem and in one instance fusing two separate poems (song 95, which unifies songs 89,90 of Naivedya). The translations were undertaken prior to a visit to England in 1912, where the poems were extremely well received. In 1913, Tagore became the first non-European to win the Nobel Prize for Literature, largely for the English Gitanjali.

The English Gitanjali became very famous in the West, and was widely translated. The word gitanjali is composed from "geet", song, and "anjali", offering, and thus means – "An offering of songs"; but the word for offering, anjali, has a strong devotional connotation, so the title may also be interpreted as "prayer offering of song".

Rabindranath Tagore FRAS also written Ravīndranātha Thākura, sobriquet Gurudev, was a Bengali polymath who reshaped Bengali literature and music, as well as Indian art with Contextual Modernism in the late 19th and early 20th centuries. Author of Gitanjali and its "profoundly sensitive, fresh and beautiful verse", he became the first non-European to win the Nobel Prize in Literature in 1913. Sometimes referred to as "the Bard of Bengal", Tagore's poetry was viewed as spiritual and mercurial; however, his "elegant prose and magical poetry" remain largely unknown outside Bengal.

A Pirali Brahmin from Calcutta with ancestral gentry roots in Jessore, Tagore wrote poetry as an eight-year-old. At the age of sixteen, he released his first substantial poems under the pseudonym Bhānusiṃha ("Sun Lion"), which were seized upon by literary authorities as long-lost classics. By 1877 he graduated to his first short stories and dramas, published under his real name. As a humanist, universalist internationalist, and ardent anti-nationalist, he denounced the British Raj and advocated independence from Britain. As an exponent of the Bengal Renaissance, he advanced a vast canon that comprised paintings, sketches and doodles, hundreds of texts, and some two thousand songs; his legacy endures also in the institution he founded, Visva-Bharati University.

Tagore modernised Bengali art by spurning rigid classical forms and resisting linguistic strictures. His novels, stories, songs, dance-dramas, and essays spoke to topics political and personal. Gitanjali (Song Offerings), Gora (Fair-Faced) and Ghare-Baire (The Home and the World) are his best-known works, and his verse, short stories, and novels were acclaimed—or panned—for their lyricism, colloquialism, naturalism, and unnatural contemplation. His compositions were chosen by two nations as national anthems: India's Jana Gana Mana and Bangladesh's Amar Shonar Bangla. The Sri Lanka's National Anthem was inspired by his work.

Tagore wrote eight novels and four novellas, among them Chaturanga, Shesher Kobita, Char Odhay, and Noukadubi. Ghare Baire (The Home and the World)—through the lens of the idealistic zamindar protagonist Nikhil—excoriates zeal in the Swadeshi movement;