Goro-Goro Wayang Nartosabdho

The complete collection of Goro-Goro in Wayang Kulit by Dalang Ki Nartosabdho. Offline

About Nartosabdho Wayang Kulit Goro-Goro Collection

Enjoy the complete collection of Goro-Goro Wayang Kulit pieces performed by the famous Indonesian puppeteer, Ki Nartosabdho. Install and enjoy Goro-Goro from the Shadow Puppet Plays Bima Sekti, Karno Tanding, Narasoma, and Wahyu Sri Makutharama. How exciting is Goro-goro going? Who are the puppet characters that are intertwined in the goro-goro? How did the chaos go? How will the end of the goro-goro that occur? Please install and find the answer.

Goro-goro is one of the episodes in the wayang kulit (purwa) performance in the Javanese cultural tradition. Garo-goro, said the puppeteer, was marked by a chaotic situation, namely complete contradictions (what was right was said to be wrong, what was wrong was said to be right), Mount njebluk (erupted), Segoro umup (tidal sea, high waves), banker bandang, and hurricanes, as a result many communities are adversely affected. Prohibition of clothing, prohibition of food, and prohibition of boards (staple food, clothing, and shelter are expensive), Sireping goro-goro mbarengi jemudhule ponokawan chess (Semar, Gareng, Petruk, and Bagong), the cessation of chaos along with the emergence of the small people.

Wayang kulit is a traditional Indonesian art that mainly developed in Java. Wayang comes from the word 'Ma Hyang' which means to go to a spiritual spirit, deity, or God Almighty. There are also those who interpret wayang as a Javanese term meaning 'shadow', this is because the audience can also watch wayang from behind the screen or only the shadows. Wayang kulit is played by a dalang who is also the narrator of the dialogue of the puppet characters, accompanied by gamelan music played by a group of nayaga and songs sung by singers.

Ki Nartosabdo is a legendary musical artist and puppeteer from Central Java, Indonesia. Even though he came from Central Java, Ki Nartosabdo first appeared as a puppeteer in Jakarta, precisely at the PTIK Building which was broadcast live by RRI on April 28, 1958. The play he performed at that time was Kresna Duta. The first experience of being a performer had made Ki Narto panic on stage because at that time his real job was the dancer of the Ngesti Pandowo group. Since he was a teenager, Ki Narto has been fond of famous puppeteers, such as Ki Ngabehi Wignyosoetarno from Sala and Ki Poedjosoemarto from Klaten. He is also diligent in reading various old books. The head of RRI Studio at that time, Sukiman, offered Ki Narto to perform, so it became a show at the PTIK.

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* Shuffle feature. Plays audio with random automatically. Providing a different and entertaining experience of course.

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* Features play, pause, next, and a slider bar. Gives full control on every audio play.

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* Free. Can be fully enjoyed without the need to pay a penny.

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